I work for a winery in Marlborough - New Zealand called Clos Henri Vineyard, that's owned by a French producer from Sancerre called Domaine Henri Bourgeois. Few days ago, was organised a wine diner in a restaurant of Christchurch (South Island of NZ) of the name of St Germain - www.st-germain.co.nz . The menu was matched to our wines, and each dish was paired with a sauvignon blanc from Sancerre and one from Marlborough, from both wineries indeed. And i was talking to the restaurant customers about the wine, explaining the story of the wineries as well as each wine specificities. And i have been so enthused all along the way, both by the wine and food match and by the wines. It is the kind of event that i do on a regular basis, and it is always such a pleasure and surprise to have your own wine specifically matched by great chefs.
It actually started with a veloute of asparagus with a basil and parsley oil matched with the Petit Clos sauvignon (which are the young vines of the estate, aged on fine lees for 10 months). The textures of the veloute, quite smooth and creamy and the soft and rounded sauvignon were really matching well, added to the fact that the asparagus (which isn't an aromas found in this wine) was balancing the Petit Clos to make it somehow a bit more spicy and kind of 'meaty' (actual word in fact of my neighbour table, that i thought very appropriate) - a delight!
The most incredible was actually served on a monkfish on a bed of lentils. The match was undoubtedly good. The wines were however just showing wonderfully. On the nose, i would never have been able to tell which sauvignon was from Sancerre, and in the mouth it wasn't that obvious either, as the Monts Damnes from Sancerre was very masculin and somehow tight but still showing fruit ripness and expression from good sun exposure slopes, whereas the Clos Henri was very feminin and floral and nicely fresh. The expression of minerality in both wines was outstanding, and something i wish everyone could experience.
Malrborough has such a beautiful potential, such a terroir.... i hope from the bottom of my heart that the viticulturists and winemakers of Marlborough will one day Love their sauvignon blanc! As when it happens - and Clos Henri isn't the only winery in this case - the results are truly meant to be shared, meant to be shown with pride.
www.closhenri.com
www.henribourgeois.com
Showing posts with label NZ wine. Show all posts
Showing posts with label NZ wine. Show all posts
Saturday, October 30, 2010
Monday, September 6, 2010
Defining a style, a question of patience, commitment and passion
The winery i work for has produced its first vintage in 2003, and i arrived in NZ with the 2004 vintage being bottled. Although my role is in sales and marketing, I worked with the winemaker in 2005 and was bottling the wine, which got me to understand about the bottling process, without touching the wine in the cellar though. In 2006 we changed winemaker, and from there i stopped bottlings, and have been part of the blend tastings, and diverse experimentation tastings with the winemaker, his assistant and the viticulturist. I have been lucky enough to have tasted quite a bit before i started working with this winery, and that the winemaking team welcomed me in their tastings and blending decisions. I am sure it is something not so obvious in lots of wineries, but here my opinion was taken into account for both what it was in terms of pure tasting and what it needed to be from a commercial point of view as well.
Therefore, it's been now 5 vintages that we work on understanding the characteristics given to both our sauvignon blanc and our pinot noir by first the different soil types of the estate, and then different other components such as different coopers (which we now have defined which ones suit better our wines and styles), different finings, different closures (cork, screwcap, which degree of sealing etc.) etc.
The second important point for us was to determine 3 styles, corresponding to our 3 labels, which also correspond to 3 price points, and in the end 3 different terroirs (or almost). Starting from scratch, to succeed in determining these 3 labels is a fantastic story we write vintage after vintage, for we have to understand what we get from nature first, and then try to integrate the different components listed above (and more indeed), and finally define 3 different profiles. We wanted 3 wines showing one identity but with 3 syles that we defined through natural differences. To be more precise, the clays would give a sort of richer wine, while the gravels would be generally finer. That was the base of our styles.
It is now very exciting to see that after trying different blends from different soil types, or at different proportions, we finally defined our 3 styles. Today we were tasting the final blends of pinot noir 2009, the objective of the tasting was to see the wines before and after fining.
But finally it is rewarding to realise that we have defined these 3 styles, and that they show the identity, the philosophy of that one winery and its terroir. It is obvious on the nose and in the mouth that each wine corresponds to its label, and that it is in the continuity of last vintage. Blind, you can classify them per label. The identity is generally elegance, subtle fruit rather explosive fruit bombs, rounded mouth, femininity rather than big extracted wines - and it is true for our both varieties. But we managed to decline this identity in 3 styles, 3 labels, 3 different price points - and this with the same work in the vineyard (same yielding, same ripeness). It is a question of precision on the tastings, and blending propositions back and forth, and it is above all a question of time... patience has a good reward though. I have of course to add that this was possible because the vineyard is worked to show natural characteristics (or terroir), and that the style of wine we wanted to produce was first defined in the vineyard.
This winery brings its new lots of joy to me, everyday, not one excepted - since 6 years. It is for me such a beautiful story to be part of, this story is being written right now and i love being part of drawing these lines one by one.
Therefore, it's been now 5 vintages that we work on understanding the characteristics given to both our sauvignon blanc and our pinot noir by first the different soil types of the estate, and then different other components such as different coopers (which we now have defined which ones suit better our wines and styles), different finings, different closures (cork, screwcap, which degree of sealing etc.) etc.
The second important point for us was to determine 3 styles, corresponding to our 3 labels, which also correspond to 3 price points, and in the end 3 different terroirs (or almost). Starting from scratch, to succeed in determining these 3 labels is a fantastic story we write vintage after vintage, for we have to understand what we get from nature first, and then try to integrate the different components listed above (and more indeed), and finally define 3 different profiles. We wanted 3 wines showing one identity but with 3 syles that we defined through natural differences. To be more precise, the clays would give a sort of richer wine, while the gravels would be generally finer. That was the base of our styles.
It is now very exciting to see that after trying different blends from different soil types, or at different proportions, we finally defined our 3 styles. Today we were tasting the final blends of pinot noir 2009, the objective of the tasting was to see the wines before and after fining.
But finally it is rewarding to realise that we have defined these 3 styles, and that they show the identity, the philosophy of that one winery and its terroir. It is obvious on the nose and in the mouth that each wine corresponds to its label, and that it is in the continuity of last vintage. Blind, you can classify them per label. The identity is generally elegance, subtle fruit rather explosive fruit bombs, rounded mouth, femininity rather than big extracted wines - and it is true for our both varieties. But we managed to decline this identity in 3 styles, 3 labels, 3 different price points - and this with the same work in the vineyard (same yielding, same ripeness). It is a question of precision on the tastings, and blending propositions back and forth, and it is above all a question of time... patience has a good reward though. I have of course to add that this was possible because the vineyard is worked to show natural characteristics (or terroir), and that the style of wine we wanted to produce was first defined in the vineyard.
This winery brings its new lots of joy to me, everyday, not one excepted - since 6 years. It is for me such a beautiful story to be part of, this story is being written right now and i love being part of drawing these lines one by one.
Friday, August 27, 2010
Bordeaux primeur 2009 and NZ wines prices - thoughts...
I've received today some information about Bordeaux primeur 2009. Apparently, Robert Parker comments:
"I have bever tasted such powerful and concentrated Medocs. First and most importantly, for soe Medocs and Graves, 2009 may turn out to be the finest vinatge i have tasted in 32 years of covering Bordeaux. From top to bottom, 2009 is not as consistent as 2005, but the peaks pf quality in 2009 may turn out to be historic. The vintage displays many of the characteristics of such creamy-textured, opulent, fat, succulent years as 1959, 1982, 1990 and some of the northern Medocs of 2003. Yet, the 2009s also have structure, freshness, acid levels as well as vibrancy and precision of such cooler years as 1986, 1996 and 2000. In that sense, this is the glory of the 2009s. For as big and rich as well as high in alcohol as they are, they are also remarkably delicate, fresh and pure. This paradox, albeit a wonderful one, is unprecedented in the three plus decades i have been tasting Bordeaux barrel samples. This is a magical vintage!"
Doesn't this sound promising! I checked the 2009 En Primeur prices we can get in NZ. Well, this is real food for thoughts. Imagine that in NZ to drink something of reasonnable quality and specifically reasonnable complexity, you have to buy at NZ$30 (approx. 15euros) and when you want something nice you spend between NZ$40 and $50 (20-25 euros) - without being crazy. Prices for NZ wines are just high, and not less high on the own NZ market. With the global financial crisis prices have dropped, and you can now find simple wines (never any default but never any complexity)under NZ$10 (5 euros), which was not really the case few years ago - but this is derived from and entails another subject.
So i just looked at what i could buy for the same average amount spent on NZ wines. And this is quite amazing to see that even En Primeur from overseas, with taxes, extra packaging, freight etc., i could buy some cru classe (Chateau Carbonnieux in Pessac Leognan), some cru bourgeois (Sociando Mallet in Haut Medoc, Chateau Carbonnieux in Moulis, Chateau Potensac in Medoc), some 2nd wine (Carmes de Rieussec in Sauternes, Demoiselle de Sociando Mallet), some Grand cru classe (Chateau de Camensac in Haut Medoc) etc etc. the list is really long. i agree, it's not because the wines are classified that they are good, but i happened to have tasted the above, and i like them and find good qualities to them - Bordeaux that are not hugely expensive but deliver special and specific qualities.
Maybe that's the thing, the list is really long and you're spoilt for choice, and the wineries have to compete without being cheap. And in NZ at NZ$40-50, you are not spoilt for choice and although you sometimes find this complex and surprising wine, it is not that commun. Do you always find complexity and surprising wines in Bordeaux (for example) for that price? Well no, but it does happen quite a bit, and consumers are ready to pay that much but they expect complexity. The wines have to deliver for the price - fair enough, isn't it?
So i'm not saying NZ wines are not complex, i'm saying the price is high for the complexity you get compared to wines from elsewhere - here the example was Bordeaux (En primeur - yes), but it is full of wines from other regions/countries that deliver better quality-complexity- surprise effect for money than NZ wines.
And if we think of low prices, the difference is even bigger. You can actually find little beauties under 7 euros (NZ$14) in european wines. The great thing with NZ wines is that even cheap (and some producers from Europe would even think that i'm talking nonsense as they consider 7 euros isn't cheap at all), there are really rarely winemaking defaults. The wines are always clean. So that's nice for cheap and cheerful; but for cheap and valuable, a bit of complexity or at least of character is essential... much more difficult in NZ Wines, if not impossible!
"I have bever tasted such powerful and concentrated Medocs. First and most importantly, for soe Medocs and Graves, 2009 may turn out to be the finest vinatge i have tasted in 32 years of covering Bordeaux. From top to bottom, 2009 is not as consistent as 2005, but the peaks pf quality in 2009 may turn out to be historic. The vintage displays many of the characteristics of such creamy-textured, opulent, fat, succulent years as 1959, 1982, 1990 and some of the northern Medocs of 2003. Yet, the 2009s also have structure, freshness, acid levels as well as vibrancy and precision of such cooler years as 1986, 1996 and 2000. In that sense, this is the glory of the 2009s. For as big and rich as well as high in alcohol as they are, they are also remarkably delicate, fresh and pure. This paradox, albeit a wonderful one, is unprecedented in the three plus decades i have been tasting Bordeaux barrel samples. This is a magical vintage!"
Doesn't this sound promising! I checked the 2009 En Primeur prices we can get in NZ. Well, this is real food for thoughts. Imagine that in NZ to drink something of reasonnable quality and specifically reasonnable complexity, you have to buy at NZ$30 (approx. 15euros) and when you want something nice you spend between NZ$40 and $50 (20-25 euros) - without being crazy. Prices for NZ wines are just high, and not less high on the own NZ market. With the global financial crisis prices have dropped, and you can now find simple wines (never any default but never any complexity)under NZ$10 (5 euros), which was not really the case few years ago - but this is derived from and entails another subject.
So i just looked at what i could buy for the same average amount spent on NZ wines. And this is quite amazing to see that even En Primeur from overseas, with taxes, extra packaging, freight etc., i could buy some cru classe (Chateau Carbonnieux in Pessac Leognan), some cru bourgeois (Sociando Mallet in Haut Medoc, Chateau Carbonnieux in Moulis, Chateau Potensac in Medoc), some 2nd wine (Carmes de Rieussec in Sauternes, Demoiselle de Sociando Mallet), some Grand cru classe (Chateau de Camensac in Haut Medoc) etc etc. the list is really long. i agree, it's not because the wines are classified that they are good, but i happened to have tasted the above, and i like them and find good qualities to them - Bordeaux that are not hugely expensive but deliver special and specific qualities.
Maybe that's the thing, the list is really long and you're spoilt for choice, and the wineries have to compete without being cheap. And in NZ at NZ$40-50, you are not spoilt for choice and although you sometimes find this complex and surprising wine, it is not that commun. Do you always find complexity and surprising wines in Bordeaux (for example) for that price? Well no, but it does happen quite a bit, and consumers are ready to pay that much but they expect complexity. The wines have to deliver for the price - fair enough, isn't it?
So i'm not saying NZ wines are not complex, i'm saying the price is high for the complexity you get compared to wines from elsewhere - here the example was Bordeaux (En primeur - yes), but it is full of wines from other regions/countries that deliver better quality-complexity- surprise effect for money than NZ wines.
And if we think of low prices, the difference is even bigger. You can actually find little beauties under 7 euros (NZ$14) in european wines. The great thing with NZ wines is that even cheap (and some producers from Europe would even think that i'm talking nonsense as they consider 7 euros isn't cheap at all), there are really rarely winemaking defaults. The wines are always clean. So that's nice for cheap and cheerful; but for cheap and valuable, a bit of complexity or at least of character is essential... much more difficult in NZ Wines, if not impossible!
Wednesday, August 11, 2010
Wine ... Food, a love I nurture
Haven't been writing for a while on this blog... Thinking about it, i believe that i haven't had much fantastic wine experience this year in fact. Sad, indeed! Again, if i look deep in my memory, only food memories come up...
I actually had my best food experience so far in a restaurant in San Francisco US. it was fantastic from the beginning to the end, i promised myself i would write an email to the chef, but didn't... Anyway, fresh seafood, like you dream of! first experience of sea urchin, simply cooked, with few alguas, a drop of mayonnaise (sounds very basic, but no it was not!) - yes, mayonnaise sounds weird, but it was quite amazing. First, the urchin was extra fresh, the iodine of the urchin was very present, the mayonnaise was just bringing that touch of sweetness and great balance to the whole. then i had a bouillabaisse, when i saw it coming, came also disappointment because it was not at all the traditional french dish i was expecting. But finally, absolutely no regret - i must also say that the waiter told me in advance it wouldn't be the french thing - again the fish and seafood were so perfectly cooked and the flavours simple ans sophisticated at the same time. The clams were not quite crunchy, not quite too cooked, they were tender and had kept all their flavours, and so were the schrimps, and the fish. the whole secret of that whole meal was in the freshness of the seafood, and the respect of the original flavours of each of the seafood/fish and this by cooking every piece in perfect timing. It was also fantastic because all the dishes were outstanding, not only one thing, but the whole food experience! Gosh, i wish this restaurant was down my road! www.swellsf.com
What else, great herring in Belgium... it doesn't sound very appealing, but the flavours were this time around very strong and delicate at the same time. fresh herring with white wine, fresh onions and herbs, lemon. The herring was actually raw or more precisely soaked in a brine, nice balance between the strength of the flavours, the acidity of the wine and lemon - the onions were nicely bringing zing and opposite crunchy texture to the quite fat herring. Quite a delicate fish in fact - but still, it was lucky i didn't have anyone to kiss afterwards!
Aah, and there was also the bugtail in Brisbane Australia, to die for. Bugtail is apparently the
speciality of Queensland, it is a kind of freshwater lobster or crayfish. So the bugtail was cooked in a pan with garlic, and it came on a freshly made ravioli of spinach and ricotta, on a creamy broth with peas. Amazing combination of delicate flavours, none overwhelming the other, and the combination of textures...! The soft of the ravioli pasta, the tender although firm of the bugtail really did work well together. The filling of the ravioli was quite small actually, and that was good because it delievered the texture of the pasta perfectly and just added few more flavours to enjoy, but the soft thin pasta was the centre point gathering all the other elements.
I have a good memory of Wine & Food match... In Sancerre France, i tried for the first time a Reuilly AOC, which is made out of sauvignon blanc. i thought, all right, nice savvy, i had a good goat cheese salad, and was forced to have dessert (work lunch, i had to be polite and nicely accompany my guests). I first ordered an apple tart, but there was none left, so my choice went to creme brulee, but there was only liquorice creme brulee. So there it was, i had a liquorice creme brulee with a glass of Reuilly sauvignon blanc. Amazing! Once again, on its own, both the creme and the wine were good, but you wouldn't lose your sleep on it. But together, a complete harmony! The minerality of the sauvignon and the citrus flavours were totally completing the liquorice flavours, and the difference between the onctuous creme brulee and the zingy sauvignon was just not clashing at all! The liquorice was actually lifting the creme brulee to the freshness of the wine. I should try this with NZ sauvignon and see if it works... good thing with the Reuilly was that it doesn't have too much fruit, but more minerality and floral aromas, so it's more on the gentle side of sauvignon, compared to a Sancerre on flint that would be more strict, or an NZ that would be more explosive. Anyway, it's worth trying!
There are other moments i enjoyed wine or food this year, but specifically for the moments or company, not particularly the wine in itself or the food for itself. More about why i didn't write at all about wine this year later on...
I actually had my best food experience so far in a restaurant in San Francisco US. it was fantastic from the beginning to the end, i promised myself i would write an email to the chef, but didn't... Anyway, fresh seafood, like you dream of! first experience of sea urchin, simply cooked, with few alguas, a drop of mayonnaise (sounds very basic, but no it was not!) - yes, mayonnaise sounds weird, but it was quite amazing. First, the urchin was extra fresh, the iodine of the urchin was very present, the mayonnaise was just bringing that touch of sweetness and great balance to the whole. then i had a bouillabaisse, when i saw it coming, came also disappointment because it was not at all the traditional french dish i was expecting. But finally, absolutely no regret - i must also say that the waiter told me in advance it wouldn't be the french thing - again the fish and seafood were so perfectly cooked and the flavours simple ans sophisticated at the same time. The clams were not quite crunchy, not quite too cooked, they were tender and had kept all their flavours, and so were the schrimps, and the fish. the whole secret of that whole meal was in the freshness of the seafood, and the respect of the original flavours of each of the seafood/fish and this by cooking every piece in perfect timing. It was also fantastic because all the dishes were outstanding, not only one thing, but the whole food experience! Gosh, i wish this restaurant was down my road! www.swellsf.com
What else, great herring in Belgium... it doesn't sound very appealing, but the flavours were this time around very strong and delicate at the same time. fresh herring with white wine, fresh onions and herbs, lemon. The herring was actually raw or more precisely soaked in a brine, nice balance between the strength of the flavours, the acidity of the wine and lemon - the onions were nicely bringing zing and opposite crunchy texture to the quite fat herring. Quite a delicate fish in fact - but still, it was lucky i didn't have anyone to kiss afterwards!
Aah, and there was also the bugtail in Brisbane Australia, to die for. Bugtail is apparently the

I have a good memory of Wine & Food match... In Sancerre France, i tried for the first time a Reuilly AOC, which is made out of sauvignon blanc. i thought, all right, nice savvy, i had a good goat cheese salad, and was forced to have dessert (work lunch, i had to be polite and nicely accompany my guests). I first ordered an apple tart, but there was none left, so my choice went to creme brulee, but there was only liquorice creme brulee. So there it was, i had a liquorice creme brulee with a glass of Reuilly sauvignon blanc. Amazing! Once again, on its own, both the creme and the wine were good, but you wouldn't lose your sleep on it. But together, a complete harmony! The minerality of the sauvignon and the citrus flavours were totally completing the liquorice flavours, and the difference between the onctuous creme brulee and the zingy sauvignon was just not clashing at all! The liquorice was actually lifting the creme brulee to the freshness of the wine. I should try this with NZ sauvignon and see if it works... good thing with the Reuilly was that it doesn't have too much fruit, but more minerality and floral aromas, so it's more on the gentle side of sauvignon, compared to a Sancerre on flint that would be more strict, or an NZ that would be more explosive. Anyway, it's worth trying!
There are other moments i enjoyed wine or food this year, but specifically for the moments or company, not particularly the wine in itself or the food for itself. More about why i didn't write at all about wine this year later on...
Labels:
Experimentations,
Food emotion,
NZ wine,
Travel,
wine and food matching
Thursday, August 6, 2009
Anobli 2008 from Alluviale, finally!

I'm quite a fan of dessert wine, at least i use to, as i haven't been drinking much of it for a while. Just always disappointed by the quality, I ended up abandonning dessert wine by frustration. Sad I know.
But my hope is back! I recently tried Anobli 2008 from Alluviale, a winery from Hawke's Bay. It is sauvignon blanc from gravels soils, fermented and aged in new french oak. 7 long months of fermentation, quite a long time to stress while something can go wrong, but hey it certainly didn't.
Everything I look for in a dessert wine is present: complex nose, great balance between the sugar and the acidity, and a fantastic length. I'm not even talking about the aromas, they are complex and layered whether on the nose, in the mouth of end of mouth. The wine opens up in the glass, changing slowly. I specifically love the balance, the complexity and the long finish.
There's a bit of experience there; the winemaker being producer in Jurancon, he might have few tricks to pull out. But good on him, it's great to see a beautiful NZ dessert wine!
Personnally i'll get few bottles and want to see this ageing... Great potential! Definitely the kind of wine i'd like to shout outloud to whoever wants to hear it: I love it, try it and tell me what you think! Or maybe: It's bloody good mate, try it!
http://www.alluviale.com/
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